italy guide

The Gods' eyed view of Rome (Altare della Patria, or Il Vittoriano) Rooftop of Rome - with views of the ruins

in 2012 we stood on the very high, clear-fenced in roof of the “wedding cake”, aka “Altare della Patria” (Altar of the Fatherland) or “Il Vittoriano“, to spy, for the first time, a bird’s eye view of Rome, a city I had only seen before from the vantage point of a mere mortal.

There is something about the view from the top of the layers of ruins, buildings, trees, cars, vespas and people one can’t capture quite like standing where the gods would have been watching in Caesar’s time.

It is really a beautiful experience. And down the elevator, rife with enviable views of the ruins from a closer perspective, is a cafe, selling delicious sandwiches and antipasti, wine and espressos. If you ever find yourself in Rome, it’s an experience you cannot miss.

Visit: in the heart of the historic city center of Rome, next to the Capitoline Museums, near to the Roman Forum, at the iconic Piazza Venezia.

What to see and photograph: Beautiful Renaissance villas and museums and church cupolas surrounding the exciting roundabout of Piazza Venezia, the Fori Imperiali, the Forum of Augustus, the Roman Forum, the Coliseum. the Arch of Titus, the Alban Hills, and many other fantastic spots in a full panorama.

Victor Emmanuel II National Monument (Monumento Nazionale a Vittorio Emanuele II)

Take steps up to the elevator to the Panoramic Terrace.

Price: Panoramic lifts:

Adults: € 7 (US$ 8.30).

Youth (aged less than 18) and seniors (aged over 65): € 3.50 (US$ 4.10).

Transport:

Metro station: Colosseo, line B

Bus: 40 (you can take it from Termini station). Other buses: 44, 84, 780, 810.

Schedule:

Monday –Sunday: 9:30 am – 7:30 pm (last admission at 6:45 pm)

25 December and 1 January: closed

Unfortunately stairs are required before you can take the disabled access elevator to the rooftop.

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Heart-Stealing baroque (Spacca -) Napoli

The sun finds it way through the velvet black shadows. Posters advertise operas I won’t get to see. Padre Pio forever in the background, his face found in taxi cabs, on walls, in churches, in caffes. Chiaroscuro lighting from sunlight mixed with shadows. My Rian, he’ll remain beautiful forever in the sun here.

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Hanging bronze dye pasta, bufalo mozzarella from campania, rows of inviting rum-soaked baba cakes filled with rummy yellow cream, tiny wild strawberries, Sfogliatelle.

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Stunning churches, colorful architecture, dark and ancient looking alleyways filled with street theatre and trash on the street… the extremes of modern Napoli.

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A baroque awning, layers of brick from different centuries, buildings and façades built on top of each other, a neapolitan girl on her mobile, another caffe beckoning the passersby.

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Hanging fruit and ripe red campania tomatoes and an early pasieggetta.

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Ancient pillars in residential neighborhoods, forming millennia old foundations.

Another beautiful church front and a charming caffe.

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Bursts of color and brightness and the scent of glorious coffee floating in the air at every turn.

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I always seem to find the caffes… I always feel like I’m on some unspoken mission to drink the best coffee.

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When the little girl walked by I knew I had to capture her in that moment of contrasts and colors.

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There is so much to see, just to read on the walls.

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I like when the graffiti becomes art.

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Back to this fellow. I remember his likeness on other walls on other visits to Naples.

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Mirrors and antiques and the scrawlings every where.

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A delightful music shop.

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Spaccanapoli, the old Greek section of Napoli, Italy is a recurring fascination of mine.

A closed boulangerie with a broom leaning against the store front. Painted pastoral scenes on plates. Rusted piping and peeling posters. Grafitti in bright colors.

Caffe chairs sprinkled throughout the back streets of Spaccanapoli.

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Two “lovers” embracing in front of an iconic “second hand shop” full of Neapolitan treasures overseen by a curious little dog.

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The simple cafe tables and chairs in front of artisan shops and caffes with a sculpture of an old man in the background.

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Every day life in an alleyway; people, a truck delivering goods, empty vegetable and fruit crates, the golden mustard apartments and hanging laundry.

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I love the corners and crevices and surprising bursts of yellow in between the rust.

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The quintessential graffiti of Naples, as ancient as the tags and scribblings on Pompeiian walls.

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The old guard and the ‘new art’.

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More graffiti, and the vespas and cars and Neapolitans seem all the more nonchalant about it.

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A whole street filled with beautiful second hand and rare book shops and musical instruments and conservatories. I never wanted to leave.

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A gorgeously appointed restaurant, intimate, and romantic in a baroque neapolitan way. I could have lingered for hours with a glass of nero d’avola and flirted, but I had less than a day to shoot Naples because of all the rain prior to this day.

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This is a wider shot of the restaurant. It looks like an opening to another, older world. I told you it was beautiful.

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Even the scribbles are a crying out and bleed every color onto wood and stone and brick.

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The priest or monk, graffiti iconography and protest.

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I found this hollowed out frame and the lettering and font (name of the one time King) very delicate and beautiful looking.

I know Napoli isn’t for everyone. I know street grafitti on historical buildings can be a bit of a shock. But once you visit Naples a few times and fall into the rhythm of the city and of its people, the fright wears off and you begin to see the color is all the more bright in contrast to the shadows. If you are like me and find beauty in decaying things and centuries of history piled up on top of each other, you may just find yourself falling in love with the heart stealer of baroque Napoli.

All photographs shot on portra 400 and 800 – 35mm film. Shot in the Spring of 2013.

Capaccio, Salerno, Italia and her Grecian Marble of Paestum, a Greek colony of temples predating the Roman Empire

The hamlet of Capaccio, found in the region of Salerno, located far down the boot in Campania, (about two hours or so from Sorrento), is a charming little town near the Greek ruins of Paestum.

There are silent stone churches with slants of light pouring into the shadows through stained glass and open windows shaped as doves and olive branches, each path of gold against black an evocation for peace in an undiscoverable darkness. Silence except for birds and echoing footsteps accompany you a foreigner in a foreign place. The solitude is universal in its unspoken language. You are welcome to sit and contemplate, or walk softly in cold corners under towering stretchs of wood and stone, somehow cradling us in its distance. A transitory connection to prayers whispered in the heart, undecipherable to human ears. How many gods have been called in how many temples on these grounds? Hera, Ceres, Athena, Poisedon, Christ, the Lord Himself, or the Madonna? Outside, a rush of sunshine, warmth on the skin, a grumbling in the stomach, a need to affirm we are still among the living. Fruit and pizza and coffee beckon across the way, and in a little shop in Capaccio we find local juicy figs floating in local honey, and figs woven together stuffed with regional almonds, in beautiful little packages we later brought home with us.

Just recently I gave Rian’s brother that last bundle we had been saving for the holidays… Rian would have wanted him to savor the taste of Italia, a place he’s never been, a place he never fell in love with as Rian and I had twenty years ago, and kept returning to. I gave it to him with Barolo and dark chocolate and champagne, I wanted him to taste a small glimpse into this magical world we had so long found ourselves enchanted with. He loved them. I thought of Rian smiling somewhere as if he could watch us somehow.

Bringing what we loved about this country is something we both so long felt driven to do. He would bring endless bags of chocolates and special Sicilian cookies for his friends at his office, and for family and close friends, after each trip back. Sometimes I would bring wines difficult to find in the states, or handmade liquers, and serve them at the holidays we hosted together for so long.

To share with others even a spark or a glimpse of the reason for our longing and our love for an otherworldy place, combined with tales of what we experienced and learned, kept us going until the next return. One day I suppose I shall return too, without him beside me as I wish, but with his ashes, with his memory, and with his energy still felt in the world, and set the remains afloat in the seas and lands he loved so deeply he broke through the mystery of Italia better than I ever could. And he took that mystery with him beyond. And here I am, as ever, in love with beauty I cannot dissect or take into me, I can only love from afar… as if in a dream. Perhaps life is the dream, and death a waking up? A return to the fold of everything seen and felt here through a veil.

There is that charming church write about above in the heart of the town of Salerno, and also a large cloistered monastery and cathedral, long with a fascinating museum of Clasiccal Antiquity, mostly containing the remnants (some vey much intact) of Paestum, a Greek colony in Italia pre-dating the founding of Rome. It is located on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 600 to 450 BC. It was named Poseidonia (Ancient Greek: Ποσειδωνία) but was was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name.

The Paestum, or “Pesto” temples are some of the most intact ruins on the mainland of Italia, and their being Greek in nature only lends to their charm and mystery. The pastoral setting of Paestum leads one to get a feeling for the atmosphere of another era, millennia ago. Everything is beautiful in the town and most especially in the large park where the Grecian marble stands against all odds of weather, war, and time. One can find shade under tall olive trees and smell hints of lemon trees in the air as they walk among the dead and the stone of a culture and a people who no longer exist, and yet we feel some mysterious connection to, even to this day.

TO VISIT PAESTUM (with stops along the way in the city centers)

click here: http://www.museopaestum.beniculturali.it/i-templi/?lang=en

PAESTUM IS LOCATED AT Via Magna Graecia, 918, 84047 Paestum SA, Italy

Opened1952

HoursOpens 8:30AM (VARIES) to sunset, with special evening extended openings to view the ruins at night.

ProvinceProvince of Salerno

Phone+39 0828 811023

Below is the Aerial view of Paestum, looking northwest; two Hera Temples in foreground, Athena Temple in background, and a Classical Antiquity museum on right. The first Temple of Hera, built around 550 BC by the Greek colonists, is the oldest surviving temple in Paestum. The second Temple of Hera was built around 460–450 BC, is found just north of the first Hera Temple. At a short distance and height from the the Hera Temples, and north of the center, is the Temple of Athena, built around 500 BC. In the center of the complex is a Roman Forum, perhaps built on the site of a preceding Greek agora. North of the forum is a small Roman temple, dated to 200 BC, and dedicated to the Capitoline TriadJunoJupiter, and Minerva.

To the far north-east of the forum one sees an amphitheater, recently many parts of Paestum have been reopened so vistors can wander through these structures and lands, even walking withing the open aired temples. It’s a wonderful experience. Source: Wikipedia & me.

VISIT THE PAESTUM MUSEUM SITE FOR ALL THE ARCHEOLOGICAL INFORMATION AND IMAGES. http://www.paestum.org.uk/museum/

Additional Cultural and Architectural and Art History and Archeological sources:

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CLICK HERE: https://www.romeartlover.it/Paestum5.html

(The Museum of Paestum with images of the artifacts and art.)

CLICK HERE: https://www.romeartlover.it/Paestum.html

(Paestum - The Temples)

CLICK HERE: https://www.romeartlover.it/Paestum2.html

(The Walls of Paestum)