campania

THE BEAUTY OF TEMPORARY LIGHT

VENICE; I was a young fiancée of another century when we took a nighttime gondola ride in the pitch black sweetness of air passing under bridges with sounds of an oar splashing into water and an aria from our gondolier breaking the velvety waves. We had our whole lives before us. (Many moons ago)

We’d be in Sorrento right now, checked into our hotel, he’d go for a swim, and I’d check the view from our room. I’d see his flash of green eyes from the veranda, smiling up at me. We’d have buffalo mozzarella and bread for lunch, and go in search of a cafe.

If only he had lived.

Written in 2018

A Secret Garden To The Sea

There is an overgrown but perfect secret garden path behind an old villa in Sorrento we stumbled upon one day, and we followed down the rambling, winding trees and shrubbery and lemon and olive trees and blossoming flowers and into the shadows of green.

The further in we wandered, the thicker the growth grew. And yet everything was lush and cared for. Nothing dead, nothing abandoned.

We could smell the sea and the sun rays in the air, carried through cracks in the dense thicket. And so we followed the salt and the promise of blue until we reached the top of a cliff cut thousands of years ago, overlooking the crashing sea and rocks. The birds cried and dove for fish and soared the bright skies. We were alone in our own little paradise. It’ll be ours forever in memory.

Where is this enchanting place?

Sorrento, Italy, in Campania

At the Museo Correale Sorrento

https://www.museocorreale.it/museum/first-floor/

on the First Floor

In The Hall of Mirrors, on the first floor of the Museo Correale Art Museum of Sorrento, Italy, is the Baroque sitting room with the game of Biribisso and salon rooms dedicated to Flemish painting and Neapolitan decorative arts from the fifteenth to the eighteenth century. To the bottom right side of the first room hangs the incredible painting by 17th Century artist Artemisia Gentileschi, The Pentinent Magdalene.

Sorrento is one of the few places in Italy where you can see paintings by Artemisia Gentileschi. Nearby city of Naples is another, boasting several paintings at the Museo Nazionale di Capodimonte and Palazzo Zevallos, Naples. There are a few paintings by Artemisia Gentileschi in the Palazzo Pitti of Florence, and one in the Uffizi Gallery in Florence, and one in the Casa Buonarroti in Florence, and two paintings by Artemisia Gentileschi in Rome at the Spada Gallery and one at the Palazzo Barberini Rome.

Once you visit each sumptuous room of art in the little villa museum, (note the sea views from the museum terrazzo and windows on the top floors), and before you leave, exit out the back to the lovely Museum Correale Sorrento gardens. Wander the paths and find our small secret garden, which will lead you out to the sea. You can easily retrace your steps back to the museum and exit on the Main Street and Piazza of Sorrento,

The museum is currently closed due to the pandemic but check their website if you plan to visit Sorrento, because it could reopen anytime. Many museums in Italy have reopened. Some require proof of vaccination OR a negative COVID test that is not older than two days. You can obtain rapid COVID tests while abroad in Italy. Check with a medical Farmacia (Pharmacy) with a green or blue lit cross outside its store front, and ask someone for a doctor recommendation - most medical services are inexpensive in Italy and many can accommodate walk in service. You can also contact your hotel concierge for a hotel doctor (they are most convenient but expensive). Hospitals are also an option, but may be an inconvenience except in emergencies.

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Beautiful bright colors and beauty in a historic cemetery on a sunny day on Capri

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Capri is a world famous resort, the playground for jet setters. It’s an ancient Roman island in Southern Italy still peppered with the villas of Emperors. I’ve heard it called the Beverly Hills of Italy because of its luxury boutiques and grand dame hotels. To me, Capri is about the quiet moments, the local back streets, the flora and fauna and places like the beautiful, very off the beaten path 19th century non-catholic cemetery.

The cemetery is in a residential, slightly run down section between Capri town and the Marina Grande but it overlooks the sea and is incredibly charming. Artists, writers, Anglo Saxons, Nordics and French in love with Capri are all buried here. There are Jewish graves and non-religious tombs and plenty of Madonna statues. And in modern Capri, plenty of Catholic Italians choose this idyllic spot with a sweeping view of the Tyrrhenian Sea for their final resting places.

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I walked to the cemetery on the rather harrowing, not very pedestrian “old road down to Marina Grande” and found the graveyard after a ten minute “stroll” sidestepping uncomfortably close vespas, cars and buses like a veteran Italian. When in Rome, eh?

You may want to take a taxi from the bus station in Capri Town. Ask for the Cimitero acattolico di Capri. On Capri – not the pretty, much smaller catholic cemetery on Ana Capri – though that is also lovely. This is the spot with character and history and angels.

I wandered around this lovely melancholy place on such a beautiful sunny day I couldn’t help but be moved by all the beauty, by the sea views, by the wild blue flowers, the statues, and the declarations of love for Italy, and the names, and sometimes images of the lost beloved.

I shot these lush unedited analog photographs on Portra 400 and Portra 800 fine art 35 mm films in 2013.

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Naples' Children / the sea / the sun

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Written on a spring 2013 trip to Napoli with my husband, Rian, a man who could point out the brightest spark of life in the darkest corner with eagle eye precision. He had a penchant for passion and color and beauty unrivaled by anyone I’ve met in my life, yet he was soft spoken and bookish, content mostly to admire the masterpieces of life in quiet contemplation. When he imparted historical details to us it was always in a storyteller’s voice, transporting you back in time, until you almost felt as though you had experienced the battles or the love affairs or great triumphs and small defeats your self, centuries ago.

With Naples it was simply impossible for us to truly tire of the dark, craggy, cramped, decaying alleyways of Napoli. Because we found find them so beautiful. What is that expression? Life in the streets. But that’s not subtle enough. That has no emotion. No color. No fragrance. I’m just an American who falls in love with corners of places. Pages in books. The picture I see in everything. What do I know about it? Not much. But I loved it all the same. We loved it together. Without him I have yet to return, but I know in my heart I still love it because our love for it together could not burn away, not ever, not even in the deep void I hold within due to his earthly absence. I’m returning again soon I hope, because of love, because of him, and because of beauty. The hope of beauty, and the beauty of hope.

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I photographed a little group of 11-13 year old Neapolitan boys smoking on the beach for the first time after they robbed a sweets cart of cigarettes like in some 1950s or 1960s Truffaut or Fellini film. The unofficial leader of the gang, a tall blond boy, taught the other boys how to smoke after they bummed cigarettes off a pair of kissing teenagers, and robbed a food cart and cafe of crisps and chocolates. Later we happened upon some typical boys playing football in the corner of a small piazza. The scent of coffee carried on the sea air, the salt so thick you can taste it on your tongue, and we searched for a restaurant in this gastronomical paradiso.

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Capaccio, Salerno, Italia and her Grecian Marble of Paestum, a Greek colony of temples predating the Roman Empire

The hamlet of Capaccio, found in the region of Salerno, located far down the boot in Campania, (about two hours or so from Sorrento), is a charming little town near the Greek ruins of Paestum.

There are silent stone churches with slants of light pouring into the shadows through stained glass and open windows shaped as doves and olive branches, each path of gold against black an evocation for peace in an undiscoverable darkness. Silence except for birds and echoing footsteps accompany you a foreigner in a foreign place. The solitude is universal in its unspoken language. You are welcome to sit and contemplate, or walk softly in cold corners under towering stretchs of wood and stone, somehow cradling us in its distance. A transitory connection to prayers whispered in the heart, undecipherable to human ears. How many gods have been called in how many temples on these grounds? Hera, Ceres, Athena, Poisedon, Christ, the Lord Himself, or the Madonna? Outside, a rush of sunshine, warmth on the skin, a grumbling in the stomach, a need to affirm we are still among the living. Fruit and pizza and coffee beckon across the way, and in a little shop in Capaccio we find local juicy figs floating in local honey, and figs woven together stuffed with regional almonds, in beautiful little packages we later brought home with us.

Just recently I gave Rian’s brother that last bundle we had been saving for the holidays… Rian would have wanted him to savor the taste of Italia, a place he’s never been, a place he never fell in love with as Rian and I had twenty years ago, and kept returning to. I gave it to him with Barolo and dark chocolate and champagne, I wanted him to taste a small glimpse into this magical world we had so long found ourselves enchanted with. He loved them. I thought of Rian smiling somewhere as if he could watch us somehow.

Bringing what we loved about this country is something we both so long felt driven to do. He would bring endless bags of chocolates and special Sicilian cookies for his friends at his office, and for family and close friends, after each trip back. Sometimes I would bring wines difficult to find in the states, or handmade liquers, and serve them at the holidays we hosted together for so long.

To share with others even a spark or a glimpse of the reason for our longing and our love for an otherworldy place, combined with tales of what we experienced and learned, kept us going until the next return. One day I suppose I shall return too, without him beside me as I wish, but with his ashes, with his memory, and with his energy still felt in the world, and set the remains afloat in the seas and lands he loved so deeply he broke through the mystery of Italia better than I ever could. And he took that mystery with him beyond. And here I am, as ever, in love with beauty I cannot dissect or take into me, I can only love from afar… as if in a dream. Perhaps life is the dream, and death a waking up? A return to the fold of everything seen and felt here through a veil.

There is that charming church write about above in the heart of the town of Salerno, and also a large cloistered monastery and cathedral, long with a fascinating museum of Clasiccal Antiquity, mostly containing the remnants (some vey much intact) of Paestum, a Greek colony in Italia pre-dating the founding of Rome. It is located on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 600 to 450 BC. It was named Poseidonia (Ancient Greek: Ποσειδωνία) but was was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name.

The Paestum, or “Pesto” temples are some of the most intact ruins on the mainland of Italia, and their being Greek in nature only lends to their charm and mystery. The pastoral setting of Paestum leads one to get a feeling for the atmosphere of another era, millennia ago. Everything is beautiful in the town and most especially in the large park where the Grecian marble stands against all odds of weather, war, and time. One can find shade under tall olive trees and smell hints of lemon trees in the air as they walk among the dead and the stone of a culture and a people who no longer exist, and yet we feel some mysterious connection to, even to this day.

TO VISIT PAESTUM (with stops along the way in the city centers)

click here: http://www.museopaestum.beniculturali.it/i-templi/?lang=en

PAESTUM IS LOCATED AT Via Magna Graecia, 918, 84047 Paestum SA, Italy

Opened1952

HoursOpens 8:30AM (VARIES) to sunset, with special evening extended openings to view the ruins at night.

ProvinceProvince of Salerno

Phone+39 0828 811023

Below is the Aerial view of Paestum, looking northwest; two Hera Temples in foreground, Athena Temple in background, and a Classical Antiquity museum on right. The first Temple of Hera, built around 550 BC by the Greek colonists, is the oldest surviving temple in Paestum. The second Temple of Hera was built around 460–450 BC, is found just north of the first Hera Temple. At a short distance and height from the the Hera Temples, and north of the center, is the Temple of Athena, built around 500 BC. In the center of the complex is a Roman Forum, perhaps built on the site of a preceding Greek agora. North of the forum is a small Roman temple, dated to 200 BC, and dedicated to the Capitoline TriadJunoJupiter, and Minerva.

To the far north-east of the forum one sees an amphitheater, recently many parts of Paestum have been reopened so vistors can wander through these structures and lands, even walking withing the open aired temples. It’s a wonderful experience. Source: Wikipedia & me.

VISIT THE PAESTUM MUSEUM SITE FOR ALL THE ARCHEOLOGICAL INFORMATION AND IMAGES. http://www.paestum.org.uk/museum/

Additional Cultural and Architectural and Art History and Archeological sources:

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CLICK HERE: https://www.romeartlover.it/Paestum5.html

(The Museum of Paestum with images of the artifacts and art.)

CLICK HERE: https://www.romeartlover.it/Paestum.html

(Paestum - The Temples)

CLICK HERE: https://www.romeartlover.it/Paestum2.html

(The Walls of Paestum)