A Secret Garden To The Sea

There is an overgrown but perfect secret garden path behind an old villa in Sorrento we stumbled upon one day, and we followed down the rambling, winding trees and shrubbery and lemon and olive trees and blossoming flowers and into the shadows of green.

The further in we wandered, the thicker the growth grew. And yet everything was lush and cared for. Nothing dead, nothing abandoned.

We could smell the sea and the sun rays in the air, carried through cracks in the dense thicket. And so we followed the salt and the promise of blue until we reached the top of a cliff cut thousands of years ago, overlooking the crashing sea and rocks. The birds cried and dove for fish and soared the bright skies. We were alone in our own little paradise. It’ll be ours forever in memory.

Where is this enchanting place?

Sorrento, Italy, in Campania

At the Museo Correale Sorrento

https://www.museocorreale.it/museum/first-floor/

on the First Floor

In The Hall of Mirrors, on the first floor of the Museo Correale Art Museum of Sorrento, Italy, is the Baroque sitting room with the game of Biribisso and salon rooms dedicated to Flemish painting and Neapolitan decorative arts from the fifteenth to the eighteenth century. To the bottom right side of the first room hangs the incredible painting by 17th Century artist Artemisia Gentileschi, The Pentinent Magdalene.

Sorrento is one of the few places in Italy where you can see paintings by Artemisia Gentileschi. Nearby city of Naples is another, boasting several paintings at the Museo Nazionale di Capodimonte and Palazzo Zevallos, Naples. There are a few paintings by Artemisia Gentileschi in the Palazzo Pitti of Florence, and one in the Uffizi Gallery in Florence, and one in the Casa Buonarroti in Florence, and two paintings by Artemisia Gentileschi in Rome at the Spada Gallery and one at the Palazzo Barberini Rome.

Once you visit each sumptuous room of art in the little villa museum, (note the sea views from the museum terrazzo and windows on the top floors), and before you leave, exit out the back to the lovely Museum Correale Sorrento gardens. Wander the paths and find our small secret garden, which will lead you out to the sea. You can easily retrace your steps back to the museum and exit on the Main Street and Piazza of Sorrento,

The museum is currently closed due to the pandemic but check their website if you plan to visit Sorrento, because it could reopen anytime. Many museums in Italy have reopened. Some require proof of vaccination OR a negative COVID test that is not older than two days. You can obtain rapid COVID tests while abroad in Italy. Check with a medical Farmacia (Pharmacy) with a green or blue lit cross outside its store front, and ask someone for a doctor recommendation - most medical services are inexpensive in Italy and many can accommodate walk in service. You can also contact your hotel concierge for a hotel doctor (they are most convenient but expensive). Hospitals are also an option, but may be an inconvenience except in emergencies.

Heart-Stealing baroque (Spacca -) Napoli

The sun finds it way through the velvet black shadows. Posters advertise operas I won’t get to see. Padre Pio forever in the background, his face found in taxi cabs, on walls, in churches, in caffes. Chiaroscuro lighting from sunlight mixed with shadows. My Rian, he’ll remain beautiful forever in the sun here.

Hanging bronze dye pasta, bufalo mozzarella from campania, rows of inviting rum-soaked baba cakes filled with rummy yellow cream, tiny wild strawberries, Sfogliatelle.

Stunning churches, colorful architecture, dark and ancient looking alleyways filled with street theatre and trash on the street… the extremes of modern Napoli.

A baroque awning, layers of brick from different centuries, buildings and façades built on top of each other, a neapolitan girl on her mobile, another caffe beckoning the passersby.

Hanging fruit and ripe red campania tomatoes and an early pasieggetta.

Ancient pillars in residential neighborhoods, forming millennia old foundations.

Another beautiful church front and a charming caffe.

Bursts of color and brightness and the scent of glorious coffee floating in the air at every turn.

I always seem to find the caffes… I always feel like I’m on some unspoken mission to drink the best coffee.

When the little girl walked by I knew I had to capture her in that moment of contrasts and colors.

There is so much to see, just to read on the walls.

I like when the graffiti becomes art.

Back to this fellow. I remember his likeness on other walls on other visits to Naples.

Mirrors and antiques and the scrawlings every where.

A delightful music shop.

Spaccanapoli, the old Greek section of Napoli, Italy is a recurring fascination of mine.

A closed boulangerie with a broom leaning against the store front. Painted pastoral scenes on plates. Rusted piping and peeling posters. Grafitti in bright colors.

Caffe chairs sprinkled throughout the back streets of Spaccanapoli.

Two “lovers” embracing in front of an iconic “second hand shop” full of Neapolitan treasures overseen by a curious little dog.

The simple cafe tables and chairs in front of artisan shops and caffes with a sculpture of an old man in the background.

Every day life in an alleyway; people, a truck delivering goods, empty vegetable and fruit crates, the golden mustard apartments and hanging laundry.

I love the corners and crevices and surprising bursts of yellow in between the rust.

The quintessential graffiti of Naples, as ancient as the tags and scribblings on Pompeiian walls.

The old guard and the ‘new art’.

More graffiti, and the vespas and cars and Neapolitans seem all the more nonchalant about it.

A whole street filled with beautiful second hand and rare book shops and musical instruments and conservatories. I never wanted to leave.

A gorgeously appointed restaurant, intimate, and romantic in a baroque neapolitan way. I could have lingered for hours with a glass of nero d’avola and flirted, but I had less than a day to shoot Naples because of all the rain prior to this day.

This is a wider shot of the restaurant. It looks like an opening to another, older world. I told you it was beautiful.

Even the scribbles are a crying out and bleed every color onto wood and stone and brick.

The priest or monk, graffiti iconography and protest.

I found this hollowed out frame and the lettering and font (name of the one time King) very delicate and beautiful looking.

I know Napoli isn’t for everyone. I know street grafitti on historical buildings can be a bit of a shock. But once you visit Naples a few times and fall into the rhythm of the city and of its people, the fright wears off and you begin to see the color is all the more bright in contrast to the shadows. If you are like me and find beauty in decaying things and centuries of history piled up on top of each other, you may just find yourself falling in love with the heart stealer of baroque Napoli.

All photographs shot on portra 400 and 800 – 35mm film. Shot in the Spring of 2013.

Beautiful bright colors and beauty in a historic cemetery on a sunny day on Capri

Capri is a world famous resort, the playground for jet setters. It’s an ancient Roman island in Southern Italy still peppered with the villas of Emperors. I’ve heard it called the Beverly Hills of Italy because of its luxury boutiques and grand dame hotels. To me, Capri is about the quiet moments, the local back streets, the flora and fauna and places like the beautiful, very off the beaten path 19th century non-catholic cemetery.

The cemetery is in a residential, slightly run down section between Capri town and the Marina Grande but it overlooks the sea and is incredibly charming. Artists, writers, Anglo Saxons, Nordics and French in love with Capri are all buried here. There are Jewish graves and non-religious tombs and plenty of Madonna statues. And in modern Capri, plenty of Catholic Italians choose this idyllic spot with a sweeping view of the Tyrrhenian Sea for their final resting places.

I walked to the cemetery on the rather harrowing, not very pedestrian “old road down to Marina Grande” and found the graveyard after a ten minute “stroll” sidestepping uncomfortably close vespas, cars and buses like a veteran Italian. When in Rome, eh?

You may want to take a taxi from the bus station in Capri Town. Ask for the Cimitero acattolico di Capri. On Capri – not the pretty, much smaller catholic cemetery on Ana Capri – though that is also lovely. This is the spot with character and history and angels.

I wandered around this lovely melancholy place on such a beautiful sunny day I couldn’t help but be moved by all the beauty, by the sea views, by the wild blue flowers, the statues, and the declarations of love for Italy, and the names, and sometimes images of the lost beloved.

I shot these lush unedited analog photographs on Portra 400 and Portra 800 fine art 35 mm films in 2013.

The art and architecture at the Villa Farnesina / Rome

The flowers of the Renaissance garden decorate the pretty country style lanes and the fountains.

The Villa Farnesina is an early 16th century Renaissance suburban villa on the Via della Lungara, in the district of Trastevere in Rome, central Italy. It has incredible frescoes by Raphäel, Sebastiano del Piombo, Giulio Romano, and Il Sodoma. The villa was built for Agostino Chigi, a rich Sienese banker and the treasurer of Pope Julius II. It was later purchased by Cardinale Farnese (future pope and brother to the Borgia mistress, Giulia Farnese).

I wrote about the architecture of the spot, and the surrounding neighborhood’s sights and dining in a recent photo and info blog entry here.

I had always missed visiting the lovely Villa Farnesina on earlier trips to Rome so I was delighted to finally see it in person in October 2012 with my late husband Rian. We were lucky enough to visit it a few times in the following years. This entry is from our first visit in 2012. I shot everything on vintage Ilford black and white film and vintage Portra color film on a vintage canon analog film.

I wrote about the garden in a recent photo & write up blog entry here.

The villa has a pretty little garden in the courtyard and larger gardens (fenced off) on one side. There is an understated elegance to the grounds and exterior architecture for a Renaissance palazzo. There are pink roses and pomegranate trees in clay pots and little lemon trees and stone lined pathways. Trastevere is a great neighborhood to visit when in Rome, and this villa is even more off the beaten path if you are looking for an alternative to the usual Roman Holiday Tour.

After the initial two or three visits to Rome we began to visit more of the quiet corners of the city and get to know our favorite spots better. It’s a “slow food” approach to travel that worked pretty well for us over many years visiting Italy, especially Rome and Campania and Florence.

The large grande dame museums of Rome are absolutely wonderful to visit, especially if you have limited time in the city. But if you have an extra day or the off the beaten path vacation is more your speed, I suggest visiting one, two or three small villa or palazzo art museums. Farnesina, Doria Pamphlij, Spada, Borghese (the Queen), and a few others.

The Loggia of Psyche by Raphaël and his workshop. It’s difficult to convey how astounding it is just standing on the marble floors, looking up at all the beautiful frescoes. Walking the same halls so many infamous and interesting figures had crossed centuries before. The museum is quiet and there were a few small groups moving in and out of the rooms at most when visiting. I always have time to view the work in complete silence and solitude, which rarely happens in a larger, more popular museum, even during the off seasons.

Venus, Ceres and Juno

I had run out of color film so I shot these magnificent frescoes in black and white. I think they at least capture the richness of the dark colors and the creaminess of the “skin”. The color in person was vibrant for such old masterpieces.

Cupid and The Three Graces, 1517-1518

A part of the great appeal Renaissance art has for me is it’s allusions to classical literature and mythology. In order to understand the works beyond my emotional response to them or my aesthetic pleasure in them, the allegorical works force me to learn the meaning behind them and catch a glimpse of the artist’s intention behind the work. What does the piece mean philosophically? Politically? What does it say about love? Man? And God? About life? And death? What historical event are they re-imagining? Beyond the beauty I am hungry for the history.

Raphael murals shot on vintage black and white Ilford film.

Venus on the Chariot Pulled by Doves, 1517-1518

The Council of the Gods, 1517-1518

Venus and Cupid, 1517-1518

When I was there I was amused to find graffiti carved into one of the walls in German! Well, normally I’d be less amused but it’s from a later “Barbarian Invasion” of Rome in the 16th century! At the time I couldn’t find anyone to translate it for me.

During recent restorations, an ancient “graffiti”, in German gothic, came to light between the columns. It marks the passage of the Lansquenets and states: “1528 – why shouldn’t I laugh: the Lansquenets have put the Pope to flight.”

From the windows on the first floor there is a beautiful view of the gardens.

Lemon trees are the quintessential jewels on the crown of Italy, even half ripened the golden yellow looks inviting, beckoning to be picked and savored.

Pomegranates grow in the lush green of bushes surrounding the historic property.

A pleasant stroll under the laurel bower leads to a marble plaque which bears the inscription:

Quisquis huc accedis: quod tibi horridum videtur mihi amoenum est; si placet, maneas, si taedet abeas, utrumque gratum.

[Trad.: Whoever enters here: what seems horrid to you is pleasant to me. If you like it, stay, if it bores you, go away; both are equally pleasing to me. ]

– Academia Nazionale die Lincei

The Villa Farnesina in Rome, Italy is open from

Monday to Saturday from 9 a.m. to 2 p.m.,

Closed on Sundays and holidays.

Guided tours on Monday, Friday and Saturday at 12.30.

See color photographs of the art murals of the Villa Farnesina art museum in this blog entry here. Worth a look, the murals are absolutely splendid in color! They were shot at a later visit, and really bring out the soft and vibrant tones of the renaissance paintings.