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A Romantic Day and Sunset Night with drinks & dining & art in Rome: Galleria Borghese, Via Margutta, Villa Borghese Gardens, Spanish Steps

One of our favorite and most romantic things to do in Rome over the years was to stroll through the Villa Borghese parks and gardens to one of the most elegant and sensual villa art museums on earth: The Galleria Borghese. It is one of the most important art museums in the world, and its world renowned art collection is housed in such a pleasant series of gardens and parks, tucked away in a lovely palazzo.

The Renaissance and Baroque gardens of umbrella pines, cypresses, palm trees, flowers, hedges, and exquisite lemon, orange, and magnolia trees of the Villa Borghese parks surround the gorgeous Borghese Art Gallery, transporting visitors back into the past glories of Roman country estates. Fortunately for us, they are free and open to the public now for generations.

The parks were private gardens for the aristocrats of Roman society until they were opened for the 19th century Grand Tourists. In 1820 English Romantic poet John Keats himself strolled through these same hallowed grounds before he succumbed to tuberculosis in his rooms at the Piazza di Spagna. Goethe mused through the art collection of the Borghese’s a generation before that, recording his impressions of the palazzo and of the art in his grand book, Italian Journey.

The beautiful Galleria Borghese is home to part of the Borghese art collection curated by the Cardinal Scipione Borghese (nephew of Pope Paul V (reign 1605-1621).

The Villa was commissioned to be designed and built by the architect Flaminio Ponzi, partly based on sketches by Scipione, as a “villa suburbana” on the country edge of Rome. Scipione was one of the first patrons of Bernini and collected many pieces by Caravaggio, including The Sick Bacchus, Boy With a Basket of Fruit, and the poignant Saint Jerome Writing.

The Borghese collection also includes the breathtaking Bernini sculptures of David, Rape of Proserpine, and Apollo and Daphne, – and the Tiziano masterpiece, Sacred and Profane Love.

Other maestros are Raffaello “Lady With A Unicorn” (purported to be the Lady Giulia Farnese, commissioned by Pope Alexander aka Rodrigo Borgia), alongside countless pieces by Rubens, Barocci, Antonio Canova, Coreggio, Dosso Dossi, Domenichino, Veronese, Lorenzo Lotto, and Parmigianino.

Portrait of Young Woman with Unicorn is a painting by Raphael.

Portrait of Young Woman with Unicorn is a painting by Raphael.

I love the gorgeous architectural details in stone and in fountains and statues lining the entrance of the Galleria Borghese. Remnants of the past play out as well in ancienne statue fragments and the fountains outside the museum’s grand entrance. The walk to the Galleria Borghese always has that lazy Sunday feeling, surrounded by Roman families and visitors enjoying the greenery and fresh air. Young and old lovers can be spied kissing under a tree or lying on a picnic blanket enjoying the sunshine and the sounds of songbirds above them.

There are homages to temples, gods and goddesses, Greek Tragedies and Comedies, and to Rome’s storied past in the “Romantic era ruins” among the pleasure walks and dreamy Umbrella pines. As you approach the museum you feel you are in for something really special… and are not disappointed in the great architectural reveal.

More architectural details by Flaminio Ponzi and Scipione Borghese create a feast for the eyes, before entering the villa with a ticket… for the Roman antiquities and Renaissance and Baroque masterpieces, … in room after sumptuously decorated room.

Tickets are recommended bought IN ADVANCE, online or at the ticket office down the stairs. To enter the museum, proceed up the stone stairs to the stunning Classical Antiquity portico where they will take your ticket.

You don’t want to miss this experience!

After an afternoon stroll and a few hours in the museum, head to the Pincio at the Golden Hour (an hour before dusk) and watch the sun set over the cupolas and ruins and houses behind the glittering Piazza del Popolo.

The golden and orange light eventually turns a deep violet, and there is an enchanting glow about Rome at its most magnificent! It is a heady, Romantic vision, and every one seems to be under a collective spell of beauty and the feeling of immortality in Éros in the Eternal City.

This is one of the best, most beautiful, and unforgettable days you could spend in Rome. It could be the most romantic Valentine’s Day of your lives. Rome seen and felt like this is truly writ on the heart for an eternity.

You can eat at the romantic nearby Casina Valadier for sweeping sunset views and aperitivos or an early dinner – they have a Valentine’s Day prix fixe menu for lovebirds.

Looking for something quicker? Walk a short distance to the late Renaissance church of the Santissima Trinità dei Monti, (French: La Trinité-des-Monts).

Pop into the sanctity and quiet beauty of the French Roman Catholic church and you may luck out with a choir of nuns singing en français classical songs of devotion while you peer at lush murals, sculptures, paintings, and the altar.

Light a candle together and head down the famed Spanish Steps just outside and whisper a snippet of a Keats ode into your beloved’s ear outside of the Keats Shelley (Byron) House Museum (worth a visit if you’re there earlier when it is open!).

Stop for a late tea at Babington’s and try their Rome in Love Tea inspired by the Paolina Borghese sculpture and Female Beauty at the Borghese, or enjoy some cocktails or champagne and light fare – offered in the luxurious comfort of their 125 year old tea room. It’s a cute British afternoon tea room with Italian flare.

Looking for something sexier? Cross the avenue and stop in at the nearby Romantics’ saucy hangout, the Antico Caffè Greco, decorated in 18th century red satin and marble decor, for drinks and desserts.

Don’t skip a look and a ponder in the beautiful Santissima Trinità dei Monti French Church, at the top of the Spanish Steps from the Via Condotti.

Gregory Peck’s apartment in Roman Holiday where he brings Audrey Hepburn in the film is found in the romantic and quiet street of Via Margutta.

If you’re still in the mood for a short early evening walk hand in hand past the glamorous shops and passersby, head to the most romantic street in Rome, the charmingly low-lit, ivy covered boutiques and artisan art shops, boutique hotels, and restaurants, Via Margutta (made famous by Audrey Hepburn and Gregory Peck in Roman Holiday!) I love the vegetarian restaurant created by film director Federico Fellini, Il Margutta! They have many vegetable creations, handmade pasta and smoked cheeses, and a vegan and gluten free menu, with exceptional organic wines, mocktails, and delicious desserts, including house made gelato.

GALLERIA BORGHESE (english site)

https://galleriaborghese.beniculturali.it/en/visita/

Via del Collegio

Romano, 27

00186 Roma, Italia

tel. 39 06 67231

www.beniculturali.it

Antico Caffè Greco http://caffegreco.shop/index.php

Via dei Condotti, 86, 00187 Roma RM, Italy

Babington’s Tea Room https://www.babingtons.com/en

Piazza di Spagna, 23, 00187 Roma RM, Italy

Casino Valadier Restaurant https://casinavaladier.it/

La Grande Cucina S.p.A.

Piazza Bucarest, Villa Borghese

00187 Roma

P. I.V.A. 05901701002

Tel (+39) 06 69922090

Fax (+39) 06 6791280

info@casinavaladier.it

Il Margutta vegetarian food & art https://ilmargutta.bio/

Via Margutta, 118 – 00187 – Roma

Per informazioni e prenotazioni:

info@ilmargutta.bio

Tel : +39 06. 32650577

Fax : +39 06. 3218457

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The art and architecture at the Villa Farnesina / Rome

The flowers of the Renaissance garden decorate the pretty country style lanes and the fountains.

The flowers of the Renaissance garden decorate the pretty country style lanes and the fountains.

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The Villa Farnesina is an early 16th century Renaissance suburban villa on the Via della Lungara, in the district of Trastevere in Rome, central Italy. It has incredible frescoes by Raphäel, Sebastiano del Piombo, Giulio Romano, and Il Sodoma. The villa was built for Agostino Chigi, a rich Sienese banker and the treasurer of Pope Julius II. It was later purchased by Cardinale Farnese (future pope and brother to the Borgia mistress, Giulia Farnese).

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I wrote about the architecture of the spot, and the surrounding neighborhood’s sights and dining in a recent photo and info blog entry here.

I had always missed visiting the lovely Villa Farnesina on earlier trips to Rome so I was delighted to finally see it in person in October 2012 with my late husband Rian. We were lucky enough to visit it a few times in the following years. This entry is from our first visit in 2012. I shot everything on vintage Ilford black and white film and vintage Portra color film on a vintage canon analog film.

I wrote about the garden in a recent photo & write up blog entry here.

The villa has a pretty little garden in the courtyard and larger gardens (fenced off) on one side. There is an understated elegance to the grounds and exterior architecture for a Renaissance palazzo. There are pink roses and pomegranate trees in clay pots and little lemon trees and stone lined pathways. Trastevere is a great neighborhood to visit when in Rome, and this villa is even more off the beaten path if you are looking for an alternative to the usual Roman Holiday Tour.

After the initial two or three visits to Rome we began to visit more of the quiet corners of the city and get to know our favorite spots better. It’s a “slow food” approach to travel that worked pretty well for us over many years visiting Italy, especially Rome and Campania and Florence.

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The large grande dame museums of Rome are absolutely wonderful to visit, especially if you have limited time in the city. But if you have an extra day or the off the beaten path vacation is more your speed, I suggest visiting one, two or three small villa or palazzo art museums. Farnesina, Doria Pamphlij, Spada, Borghese (the Queen), and a few others.

The Loggia of Psyche by Raphaël and his workshop. It’s difficult to convey how astounding it is just standing on the marble floors, looking up at all the beautiful frescoes. Walking the same halls so many infamous and interesting figures had crossed centuries before. The museum is quiet and there were a few small groups moving in and out of the rooms at most when visiting. I always have time to view the work in complete silence and solitude, which rarely happens in a larger, more popular museum, even during the off seasons.

Venus, Ceres and Juno

I had run out of color film so I shot these magnificent frescoes in black and white. I think they at least capture the richness of the dark colors and the creaminess of the “skin”. The color in person was vibrant for such old masterpieces.

Cupid and The Three Graces, 1517-1518

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A part of the great appeal Renaissance art has for me is it’s allusions to classical literature and mythology. In order to understand the works beyond my emotional response to them or my aesthetic pleasure in them, the allegorical works force me to learn the meaning behind them and catch a glimpse of the artist’s intention behind the work. What does the piece mean philosophically? Politically? What does it say about love? Man? And God? About life? And death? What historical event are they re-imagining? Beyond the beauty I am hungry for the history.

Raphael murals shot on vintage black and white Ilford film.

Raphael murals shot on vintage black and white Ilford film.

Venus on the Chariot Pulled by Doves, 1517-1518

The Council of the Gods, 1517-1518

Venus and Cupid, 1517-1518

When I was there I was amused to find graffiti carved into one of the walls in German! Well, normally I’d be less amused but it’s from a later “Barbarian Invasion” of Rome in the 16th century! At the time I couldn’t find anyone to translate it for me.

During recent restorations, an ancient “graffiti”, in German gothic, came to light between the columns. It marks the passage of the Lansquenets and states: “1528 – why shouldn’t I laugh: the Lansquenets have put the Pope to flight.”

From the windows on the first floor there is a beautiful view of the gardens.

Lemon trees are the quintessential jewels on the crown of Italy, even half ripened the golden yellow looks inviting, beckoning to be picked and savored.

Lemon trees are the quintessential jewels on the crown of Italy, even half ripened the golden yellow looks inviting, beckoning to be picked and savored.

Pomegranates grow in the lush green of bushes surrounding the historic property.

Pomegranates grow in the lush green of bushes surrounding the historic property.

A pleasant stroll under the laurel bower leads to a marble plaque which bears the inscription:

Quisquis huc accedis: quod tibi horridum videtur mihi amoenum est; si placet, maneas, si taedet abeas, utrumque gratum.

[Trad.: Whoever enters here: what seems horrid to you is pleasant to me. If you like it, stay, if it bores you, go away; both are equally pleasing to me. ]

– Academia Nazionale die Lincei

The Villa Farnesina in Rome, Italy is open from

Monday to Saturday from 9 a.m. to 2 p.m.,

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Closed on Sundays and holidays.

Guided tours on Monday, Friday and Saturday at 12.30.

See color photographs of the art murals of the Villa Farnesina art museum in this blog entry here. Worth a look, the murals are absolutely splendid in color! They were shot at a later visit, and really bring out the soft and vibrant tones of the renaissance paintings.

Capaccio, Salerno, Italia and her Grecian Marble of Paestum, a Greek colony of temples predating the Roman Empire

The hamlet of Capaccio, found in the region of Salerno, located far down the boot in Campania, (about two hours or so from Sorrento), is a charming little town near the Greek ruins of Paestum.

There are silent stone churches with slants of light pouring into the shadows through stained glass and open windows shaped as doves and olive branches, each path of gold against black an evocation for peace in an undiscoverable darkness. Silence except for birds and echoing footsteps accompany you a foreigner in a foreign place. The solitude is universal in its unspoken language. You are welcome to sit and contemplate, or walk softly in cold corners under towering stretchs of wood and stone, somehow cradling us in its distance. A transitory connection to prayers whispered in the heart, undecipherable to human ears. How many gods have been called in how many temples on these grounds? Hera, Ceres, Athena, Poisedon, Christ, the Lord Himself, or the Madonna? Outside, a rush of sunshine, warmth on the skin, a grumbling in the stomach, a need to affirm we are still among the living. Fruit and pizza and coffee beckon across the way, and in a little shop in Capaccio we find local juicy figs floating in local honey, and figs woven together stuffed with regional almonds, in beautiful little packages we later brought home with us.

Just recently I gave Rian’s brother that last bundle we had been saving for the holidays… Rian would have wanted him to savor the taste of Italia, a place he’s never been, a place he never fell in love with as Rian and I had twenty years ago, and kept returning to. I gave it to him with Barolo and dark chocolate and champagne, I wanted him to taste a small glimpse into this magical world we had so long found ourselves enchanted with. He loved them. I thought of Rian smiling somewhere as if he could watch us somehow.

Bringing what we loved about this country is something we both so long felt driven to do. He would bring endless bags of chocolates and special Sicilian cookies for his friends at his office, and for family and close friends, after each trip back. Sometimes I would bring wines difficult to find in the states, or handmade liquers, and serve them at the holidays we hosted together for so long.

To share with others even a spark or a glimpse of the reason for our longing and our love for an otherworldy place, combined with tales of what we experienced and learned, kept us going until the next return. One day I suppose I shall return too, without him beside me as I wish, but with his ashes, with his memory, and with his energy still felt in the world, and set the remains afloat in the seas and lands he loved so deeply he broke through the mystery of Italia better than I ever could. And he took that mystery with him beyond. And here I am, as ever, in love with beauty I cannot dissect or take into me, I can only love from afar… as if in a dream. Perhaps life is the dream, and death a waking up? A return to the fold of everything seen and felt here through a veil.

There is that charming church write about above in the heart of the town of Salerno, and also a large cloistered monastery and cathedral, long with a fascinating museum of Clasiccal Antiquity, mostly containing the remnants (some vey much intact) of Paestum, a Greek colony in Italia pre-dating the founding of Rome. It is located on the coast of the Tyrrhenian Sea in Magna Graecia (southern Italy). The ruins of Paestum are famous for their three ancient Greek temples in the Doric order, dating from about 600 to 450 BC. It was named Poseidonia (Ancient Greek: Ποσειδωνία) but was was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name.

The Paestum, or “Pesto” temples are some of the most intact ruins on the mainland of Italia, and their being Greek in nature only lends to their charm and mystery. The pastoral setting of Paestum leads one to get a feeling for the atmosphere of another era, millennia ago. Everything is beautiful in the town and most especially in the large park where the Grecian marble stands against all odds of weather, war, and time. One can find shade under tall olive trees and smell hints of lemon trees in the air as they walk among the dead and the stone of a culture and a people who no longer exist, and yet we feel some mysterious connection to, even to this day.

TO VISIT PAESTUM (with stops along the way in the city centers)

click here: http://www.museopaestum.beniculturali.it/i-templi/?lang=en

PAESTUM IS LOCATED AT Via Magna Graecia, 918, 84047 Paestum SA, Italy

Opened1952

HoursOpens 8:30AM (VARIES) to sunset, with special evening extended openings to view the ruins at night.

ProvinceProvince of Salerno

Phone+39 0828 811023

Below is the Aerial view of Paestum, looking northwest; two Hera Temples in foreground, Athena Temple in background, and a Classical Antiquity museum on right. The first Temple of Hera, built around 550 BC by the Greek colonists, is the oldest surviving temple in Paestum. The second Temple of Hera was built around 460–450 BC, is found just north of the first Hera Temple. At a short distance and height from the the Hera Temples, and north of the center, is the Temple of Athena, built around 500 BC. In the center of the complex is a Roman Forum, perhaps built on the site of a preceding Greek agora. North of the forum is a small Roman temple, dated to 200 BC, and dedicated to the Capitoline TriadJunoJupiter, and Minerva.

To the far north-east of the forum one sees an amphitheater, recently many parts of Paestum have been reopened so vistors can wander through these structures and lands, even walking withing the open aired temples. It’s a wonderful experience. Source: Wikipedia & me.

VISIT THE PAESTUM MUSEUM SITE FOR ALL THE ARCHEOLOGICAL INFORMATION AND IMAGES. http://www.paestum.org.uk/museum/

Additional Cultural and Architectural and Art History and Archeological sources:

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CLICK HERE: https://www.romeartlover.it/Paestum5.html

(The Museum of Paestum with images of the artifacts and art.)

CLICK HERE: https://www.romeartlover.it/Paestum.html

(Paestum - The Temples)

CLICK HERE: https://www.romeartlover.it/Paestum2.html

(The Walls of Paestum)

The Splendor of Napoli and the Isles of the Emperors

the splendor of napoli and the isles of the emperors